Onset

[Content note: depression]

In a few weeks, I will pass the nine-year anniversary of the onset of my depression.

I could figure out the exact date if I wanted to, because I know it was on Thanksgiving. But I won’t, because I don’t want that date to become frozen in my memory forever.

I don’t think most people can get it down to a single moment like that. In fact, there’s probably quite a bit that’s spurious about my interpretation of things. Really, my depression probably began with my genetics, or with the cognitive distortions that I already had even as a little kid.

But, that said, there was a moment after which everything changed. I’ve never really written or spoken about it until now.

I used to dance ballet. I was pre-professional and often performed with our local professional troupe, as did plenty of other kids and teens. That fall, I was cast in The Nutcracker, in the role of Clara. That’s the main role. It was an honor so momentous for me that all of the successes that followed it paled in comparison. I still remember standing in the center of that stage with over two thousand pairs of eyes all looking right at me. I will never forget. I will never experience a feeling like that again.

That year, I was in seventh grade. School was becoming challenging for the first time, and I was starting to feel the stress that would become like blood in my veins for the next decade. There were honors classes now. There were actual papers to write. They seem so easy now, of course, but at the time I felt a little bit terrified.

I’d gotten a few C’s on tests, which was new for me. I wasn’t too concerned yet. Until that weekend.

Thanksgiving. We were driving up to northwestern Pennsylvania to see family friends. That drive was always beautiful; I sometimes miss it now. The Appalachian Mountains are underrated.

There were only a few weeks left of rehearsal before opening night of The Nutcracker. After Thanksgiving, there would be dress rehearsals and tech week. And then I would take the stage.

So I was in the car, me and my family. My little brother, now old enough to talk to me about science and girls, wasn’t even a toddler then. My little sister didn’t exist yet.

I mentioned the C’s on the tests.

My mom was appalled. She said something like this: “If you get another C on a test, you have to drop out of The Nutcracker.”

She can’t have been serious, now that I look back on it. She just can’t have been. It would’ve ruined my family’s relationship with the ballet company and I’d probably never be allowed to perform again. It was just ludicrous, a punishment inconceivable in severity for me.

But that possibility didn’t even occur to me. I took her at her word. At that moment, everything changed.

I felt that I had lost all sense of control over my life. Something so important was suddenly jeopardized by random numbers in red ink. My homework seemed to laugh at me.

I quite literally lost my mind. Not in the sense of “going crazy” as we think of it, but in the sense that my mind became an alien to me.

The things it did to me that year. I cried and cried and cried. On Sunday nights especially, as I dreaded going back to school. If I got a grade worse than a B at school, I suffered for the rest of the day, through the rest of my classes and then several hours of ballet, until I could come home, tell my mom about it, and be vindicated. She would tell me that it’s okay, I just have to do better next time, and I would nod and leave and probably cry more.

My entire sense of self-worth became contingent upon my parents’ approval, and their approval seemed to me to be contingent on those arbitrary marks on a report card. And although I’ve long moved on from grades as the markers of my worth, I remain shackled to the opinions of others–of my family especially.

It was the longest winter. The music I listened to that winter–mostly classical–still rings in my ears sometimes and reminds me. Everything was colored with those tears, that roiling anxiety in my stomach, the shame of being imperfect.

I was twelve years old.

After that school year, the Thing–I didn’t know what to call it then–mutated and grew. I gradually learned not to stress so much about school, a lesson that serves me well these days. But the Thing grabbed hold of everything in my life, tainted every relationship, sunk its ugly tentacles into every crevice it could find.

In high school the Thing mostly manifested as a preoccupation with the idea that people might not like me. In college, I stopped caring about what people thought and instead became convinced that my life is ultimately meaningless and that it doesn’t matter if I live or die.

The Thing has changed quite a bit since I first met it nearly nine years ago. For one, I call it depression now, as that is what it is. I know its signs and a few strategies that help keep it at bay.

It’s not that everything was good before that Thanksgiving in 2003, and it’s not that everything was terrible afterwards.

But that weekend was a bridge. It was a bridge between nonclinical dysfunction and a worsening, mushrooming psychopathology. It was a bridge between childhood and–if not adulthood, then something other than adolescence.

They say that we lose “innocence” when we have sex for the first time, or when we move out of the house or start paying for our own upkeep. I lost my innocence when I lost my mind.

I had pulled back the corner of the rug and finally seen what had been swept under it.

What was under it was terrible.